May 17, 2013
"Bad writers are bad because they stop too soon. In fact, let’s take a step back. The only quality, I think, that marks the writer as different from everyone else is simply an unwillingness to quit. Others give up when they learn writing is hard; the writer struggles on. When I sit down in front of the blank page, it’s no easier for me to fill it than anyone else. The non-writer looks at the blank page and — quite sensibly — says, ‘forget it, I’m outta here.’ But if they had to, they could put a few words down there — just like I do. Only the words wouldn’t be any good. So the non-writer gets frustrated, gives up and leaves. Me, too, I get frustrated… but I sit there, and work to make it better. Anybody who’s willing to struggle, I think, can write. The real work is to stick at it until you find the gold. To get to that funny line. To do the hard work no one else wants to do, but everyone wants to have done. To discover the great character bit, the clever story turn. Until you have it, you don’t have it. Until it’s there, it’s not there — and you need to stick at it until it is there."

— Terry Rossario (via ilivetowriteandinspire)

May 2, 2013
Question: Have you ever flinched from writing something horrible--do you ever think you've gone too far, made it too bad?
Every author on the panel: LOL, nope.
May 2, 2013
I am so angry, I could kick something

pfdiva:

I am a black woman.  I am also a writer.  Because I don’t see enough of myself in the stuff I read, I’ve been trying to come up with ways to describe black people that don’t refer to food, and that encompass the variety of our skin tones and hair textures.

I had an epiphany today.  What words would I use to describe us if I weren’t comparing us to white people?  What words would I use to compare us to each other?

Read More

April 26, 2013

you have no idea how relieved i am to have a working last chapter to this book guys

ending things is just the worst

April 23, 2013
"

“Why, in contemporary YA novels that feature groups of kids as friends, the black girl or boy is always a sidekick, secondary character, or nonentity?”

The way my daughter and son see it, this is the kid with no character development, no backstory, no emotional growth, no family, and dialogue one-liners that don’t amount to much.

It’s a common cliché, and it’s very subtle. In our ever-increasing commitment to include diverse characters in novels, we’ve also, at the same time, increased a stereotype ― that black kids (when they’re among an “ensemble cast”) don’t have much going on and aren’t worthy of the spotlight.

In the old days they called this tokenism ― sticking a person of color into the mix for the sake of having a black face among the group. This has its disadvantages. Young readers want to know what’s in the hearts and souls that are behind those faces of color. But when we don’t give these characters the same depth as is allowed the other characters, we perpetuate the stereotype that black teens are lesser people.

"

Andrea Davis Pinkney talks about the “Sidekick Syndrome” on CBC Diversity and offers some suggestions on how to fix it. (via richincolor)

(via yaflash)

April 16, 2013

wondering if i could watch a couple of movies and call it research because the pacing of the end here is KICKING MY BUTT rn and action movies may be the only cure

April 13, 2013
"You don’t have to write a book in order to reflect reality. You can also write a book to create reality. Most teen readers, I found, understood this, because they were living their lives to create reality, not merely reflect it."

— Author David Levithan, echoing E. B. White’s insights on the role of the writerreflects on the legacy of his groundbreaking Boy Meets Boy ten years later. (via explore-blog)

(Source: , via explore-blog)

April 12, 2013
explore-blog:

William Faulkner adds to our running archive of wisdom on writing.
Pair with Faulkner’s little-known and lovely children’s book.

explore-blog:

William Faulkner adds to our running archive of wisdom on writing.

Pair with Faulkner’s little-known and lovely children’s book.

April 11, 2013
"

Ever hear this before? “Diversity in fiction is nice and all, but you can’t expect there to be diversity in [insert popular work of fantasy fiction here]! That book is set in a world inspired by medieval Europe! Of course everyone is a white Anglo-Saxon Christian!”

If you’ve somehow avoided hearing this opinion before, start talking diversity with Game of Thrones or Lord of the Rings fans on the Internet. Odds are, it’ll come up.

I’m here to assure you that fantasy stories can be diverse, even if they’re set in medieval Europe or some fantastical facsimile thereof.

"

Shana Mlawski, author of HAMMER OF WITCHES, gives us four tips for creating diversity in fantasy on our blog today. (via richincolor)

This is an important point to make, always. Too often, people assume Europe or clearly Europe-based worlds = full of only white people, and that has never been true, no matter the time period.

(via yaflash)

(via yaflash)

April 10, 2013
"All of us harbor secret hopes that a magnificent novel will tumble out of the sky and appear on our screens, but almost universally, writing is hard, slow, and totally unglamorous. So why finish what you’ve started? Because when you are done, you will be grateful for the experience. Also, you will have learned a lot about writing and humanness and the inestimable value of tilting at windmills.

Whether you’re reading or writing, there is nothing magical about how you get from the middle of a book to the end of one. As Robert Frost put it, “The only way out is through.” So go spit in the face of our inevitable obsolescence and finish your @#$&ng novel."

— John Green, on defying creative despair. (via lettersandlight)